Gold tesserae8/16/2023 The higher gold tesserae were arranged in horizontal lines rather than end to end and spaced. Unlike traditional grouted mosaic work, where pieces can be spaced with gaps in between, micro-mosaics must be cut to fit ‘edge to edge’ with no spacing in between the tesserae – so an extreme amount of precision is needed to ensure each finished mosaic’s success. I then hand cut each of these tiles into hundreds of small pieces or tesserae, before assembling them into my mosaic designs, and then setting them into their. Tesserae were arranged according to a preliminary drawing. I then hand cut each of these tiles into hundreds of small pieces or ‘tesserae’, before assembling them into my mosaic designs, and then setting them into their frameworks. This top layer of glass can either be clear or colored depending on the design. These gold and silver tesserae were used in Roman and the earliest Christian mosaics simply to depict gold and silver objects in later mosaics of the Early Christian period and in Byzantine mosaics, solid fields of gold tesserae formed the gold background that appeared in almost every decoration. With regard to the gold leaf tesserae, these were classified. To make these tiles – each one done by hand by a glass worker who applies a thin sheet of 24KY gold onto a giant molten bubble of handblown glass, which then gets covered by another layer of glass, sandwiching in and protecting the layer of 24K gold. c well preserved) one black tessera (Ne) and an opaque white one (Bir) (see Table 1). From the Greek for 'four sided,' the term is said to have first ben used by Pliny when referring to pavements made of such cubes. I begin with larger 24K gold mosaic tiles which have been handmade on the island of Murano, just north of Venice, Italy. Tessera (plural: tesserae pronounced TESS sa ra TESS saree): an individual tile in a mosaic, usually formed in the shape of a cube. My process for making micro-mosaics is virtually unchanged from how they’ve been making micro-mosaics for the past 500 hundred years. Antonella Gallenda, Orsoni maestra, at work on Guggenheim mosaic portrait. My most recent passion : 24K gold micro-mosaic jewelry design Antonella working with Orsoni smalti & gold tesserae - Guggenheim mosaic.
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